Better late than never one must believe.
Every year I track everything that I have watched/read to completion (not counting rewatches/rereads) and give it a ranking out of ten as well as some sort of stupid comment or review, plus colour-coding based on whether or not I consider it 'queer media' by my own wispy definition, as I am ostensibly a queer blog. Green is unequivocally yes, Purple is...maybe, Red is not at all.
The Crème de la Crème
Best Book: Bring up the Bodies by Hilary Mantel
Best Film: Dog Day Afternoon
Best TV: Mad Men
Best Theatre: Scarlet Flower by default :(
BOOKS
The Habits of Good Society: A Handbook of Etiquette for Ladies and Gentlemen (author anonymous, 1859) — 10/10 — If I could have dinner with any figure from all of human history, it would be the author of this book. I was live-posting about this when I read it and I meant it when I said this person would have done numbers on Twitter.
Sunrise On the Reaping by Suzanne Collins — 2/10 — This is a cash-grab bashed out over maybe five afternoons. Ballad is so lovely and thoughtful and this is just page after page of pandering, repetitive dross. Man alive.
The Founding by Cynthia Harrod-Eagles — 9/10 — Sometimes you want to read a bit of classic historical fiction and Cynthia will always oblige. But also. There's like fifty named characters and not one of them is gay are you kidding me? Not even Isabella? Neither of the Thomases? I wonder if she donated to Philippa Langley's insane car park scheme.
The Ladie Upstairs by Jessie Elland — 5/10 — Not quite an entry in the 'weird girl lit' category but it does skim the sides a bit. There's an extreme lack of purpose to it.
Edward II: His Sexuality and Relationships by Kathryn Warner — 10/10 — Perhaps it's just the hater in me but, apart from the lovely and gentle handling of Edward himself, I really love how Warner criticises cultural depictions of Isabella. People are complicated and sexuality is complicated! Moreover, people change!
Wolf Hall by Hilary Mantel — 9/10 — Her prose makes me feel like I'm being pulled gently through a cool, clear river on a summer's day.
May We Be Spared to Meet On Earth ed. by Russell A. Potter, Regina Koellner, Peter Carney, and Mary Williamson — 10/10 — The dog-postage shenanigans of Harry Goodsir are almost enough to dissipate the awful sense of doom that hangs over every letter included in this book.
Bring Up the Bodies by Hilary Mantel — 10/10 — Everything great about Wolf Hall elevated by having a much tighter plot. Classic tragedy!
The Letters of Jane Austen (1908 edition) — 10/10 — If these are the ones Cassandra chose not to burn I can see why she did it.
Alexei: Russia's Last Tsesarevich - Letters, Diaries, and Writings trans. & ed. by George Hawkins — 10/10 — He was a very funny child, more so than I'd expected. George Hawkins, as ever, doing great work.
The White Guard by Mikhail Bulgakov (trans. Michael Glenny) — 9/10 — Not sad as such but very melancholy. I read "June. Barcarolle" and had one of those moments where you want to throw yourself off a building for not having come up with something yourself.
Speak, Memory by Vladimir Nabokov — 10/10 — Reads like a dream. I don't think I realised just how much Nabokov's relationship with his brother bleeds into every piece of his writing.
Glorious Exploits by Ferdia Lennon — 7/10 — One of those that's almost brilliant but there are times Lennon drops the thread and it starts veering too much into this sappy modernism which completely contradicts the rest of the book.
FILMS
The Leopard (1963) — 6/10 — Time has been very kind but I find myself agreeing with a lot of the early reviews. The last half hour feels like it belongs to a different, much better film.
Anora — 10/10 — Mikey Madison earned that Oscar and then some.
Inglourious Basterds — 9/10 — Neat.
Outlaw King — 7/10 — I like Florence Pugh in pretty dresses so whatever the story this would've been a hit with me.
Ivan the Terrible Parts I & II — 8/10 — This is cinema my god. So beautiful. So well-done. What a curious thing to end on.
No Hard Feelings — 6/10 — Fun and most importantly not a remake of something from the 90s.
Heretic — 3/10 — That'll teach me to watch something just because Sophie Thatcher's in it.
Gladiator II — 3/10 — I know you're not supposed to think about this kind of film very much but hmm? What? Has Ridley Scott seen the first one?
Chariots of Fire — 7/10 — Very Brideshead Revisited. In aesthetic if not...in spirit.
Downton Abbey: The Grand Finale — 4/10 — Why are we still here? Just to suffer?
Priscilla — 8/10 — Sophia Coppola's work doesn't much resonate with me in general but this is nice. I think the ending is rushed.
Far From the Madding Crowd (2015) — 4/10 — My father was absolutely blown away by this for some reason I find myself unable to fathom.
Hamlet/Horatio — 9/10 — It's so bizarre and artsy and sincere I was astral projecting the first time I watched it and each rewatch sends me to a higher plane. It might take you a minute to see the vision but god it's just such a riot. One point off for the frankly INSANE use of bloom and dissolves.
Dog Day Afternoon — 10/10 — WOW!
28 Years Later — 9/10 — Can't stop thinking about the use of Boots here it's so good.
TV SERIES
Arcane — 5/10 — It's kind of like Castlevania but worse in every conceivable way.
Inventing Anna — 7/10 — My household had a ban on reality tv so I've never watched any, but I think this is the essential experience.
American Primeval — 6/10 — Excessively grim.
The Leopard (2025) — 9/10 — The Sicilian tourism board paid good money for this and I'll tell you it was money well spent. Tops the 1963 film in everything except the final ball scene.
The White Lotus — 7/10 — One's pretty good, two's fantastic, three's like...fine. I think we're losing it.
Yellowjackets (Season 3) — 7/10 — Some very curious choices have been made post-season one but I'm kind of sunk-cost-fallacying my way through it now. We're in this to the bitter end. Don't talk to me about my best friend Mari Ibarra.
The Gentlemen — 9/10 — Don't think I could take another series of it but in small doses it's stylish and good fun. I think if anyone but Theo James was playing Eddie then it would be pretty unbearable.
The Last of Us (Season 2) — 5/10 — Generally I encourage weird choices in adaptations but in this case almost everyone involved has badly misunderstood the source material.
The Gilded Age (Season 3) — 7/10 — As I've said before this is the worst show on television and I love it to pieces.
Forsyte Saga (2002) — 7/10 — The night I watched this was the worst of the year for me so this was a really lovely distraction. Also this runs in my blood because my grandmother used to mandate SILENT HOUSE so she could watch the original in peace every week.
1670 — 8/10 — Whenever I think of this show all I can picture is that bit where Jakub demonstrates how he's going to grab Andrzej's daughters and I burst out laughing.
Mad Men — 10/10 — We're not homosexuals we're divorced!!!
Death by Lightning — 8/10 — I wish it was a little more developed. Maybe an extra editing pass on the dialogue. Maybe another episode. Make me care more. Make me feel like it's really 1881.
Heated Rivalry — 1/10— The reason this took off is because a lot of people decide at an early age that fanfiction is beneath them and thus never develop immunity to this sort of rubbish in the mainstream. One point for the brilliant job done by François Arnaud MY Cesare Borgia. Go and watch Fellow Travellers instead.
Stranger Things (Season 5) — 2/10 — I don't understand how you can write any of this and be like "Hm yes perfect this is something I want people to associate with my name."
THEATRE
The Scarlet Flower (Live | Liberty Theatre Tbilisi) — 5/10 — This began as a stage adaptation of Sergei Aksakov's The Scarlet Flower and swiftly became an unlicensed performance of Disney's Beauty and the Beast. All the dialogue was live but the singing was pre-recorded so there was always a very funny second-long pause between the actors' normal-volume speech, loading the tracks, and THE LOUDEST MUSIC YOU'VE EVER HEARD. Gaston and LeFou absolutely killed it, full commitment, standing ovation.
Happily the theatre uploaded a trailer some years ago so you, too, get to see exactly what we witnessed.
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